Spanish Court Dismisses Copyright Action Against YouTube

In June, Legal Bytes reported [Federal Court Awards YouTube Summary Judgment in Viacom Copyright Infringement Case]that a United States federal court ruled in favor of YouTube and Google in the billion-dollar case brought by Viacom on a summary judgment motion. Just last month, we again reported that Viacom had filed notice of its intention to appeal that ruling [Viacom Appeals Google/YouTube Ruling], and a companion article written by Joseph I. (“Joe”) Rosenbaum [Viacom Appeals YouTube Copyright Ruling] has been posted on the Media & Entertainment Newsletter of the International Law Office.

Now in Spain, the Spanish Federal Court sitting in Madrid has dismissed charges brought by the Spanish broadcasting company Telecinco (Gestevision Telecinco SA), alleging that YouTube was liable for copyright infringement resulting from users uploading content and material that infringed the copyright of others. Mediaset, the Italian company that is the majority shareholder of Telecinco, is also involved in a copyright infringement action involving such video uploads, although no ruling has yet issued in that case. The ruling from the Spanish Federal Court comes on the heels of a ruling at the end of last year in France that found Google guilty of copyright infringement, but in that case, books were being scanned and excerpts put online without first obtaining permission or consent from the copyright owner. That said, earlier this month, a court in Germany ruled against Google, holding it liable for videos that were subject to the copyright of others and uploaded on YouTube.

The Spanish court essentially agreed with YouTube’s argument that it is a content-hosting platform, not directly responsible for content uploaded or posted by others. Without appearing flippant, Legal Bytes notes that, similar to Viacom’s decision to appeal the ruling in the United States, everyone who is on the losing side of these battles is (or has indicated an intention of) appealing the ruling against them.

Need to understand user-generated content, uploading videos or other content, rights of authors, and creators of content, and understand them in multiple jurisdictions around the world?  Contact Joseph I. (“Joe”) Rosenbaum, or the Reed Smith attorney with whom you regularly work. We can help.

Viacom Appeals YouTube Copyright Ruling

The U.S. Media & Entertainment Newsletter of the International Law Office (ILO) has published an adaptation of the original Legal Bytes posting by Joseph I. (“Joe”) Rosenbaum discussing the appeal by Viacom of the ruling in favor of YouTube and Google in the billion-dollar case brought by Viacom. You can download or view a copy of the ILO publication, "Viacom appeals Google/YouTube ruling", and you can view the original Legal Bytes posting, Viacom Appeals Google/YouTube Ruling.

Viacom Appeals Google/YouTube Ruling

Just over a month ago, Legal Bytes reported [Federal Court Awards YouTube Summary Judgment in Viacom Copyright Infringement Case] that a federal court ruled in favor of YouTube and Google in the billion-dollar case brought by Viacom on a summary judgment motion. The court decided YouTube is protected against claims of copyright infringement by the safe harbor provisions of the Digital Millennium Copyright Act (the “DMCA”).

We also told you that we haven’t heard the last of this case, since immediately after the ruling was announced, Michael Fricklas, Viacom Executive Vice President, General Counsel & Secretary, noted, “This case has always been about whether intentional theft of copyrighted works is permitted under existing law and we always knew that the critical underlying issue would need to be addressed by courts at the appellate levels. Today's decision accelerates our opportunity to do so.”

Consistent with that announcement, Viacom has now filed its notice to appeal in the U.S. Court of Appeals for the Southern District of New York. Many legal scholars feel that in this case, the District Court opinion will be very persuasive; one never knows until the appellate court has rendered its decision. Stay tuned. If you did not read the original District Court decision, you can read and download it through the original posting on Legal Bytes: [Federal Court Awards YouTube Summary Judgment in Viacom Copyright Infringement Case].

Federal Court Awards YouTube Summary Judgment in Viacom Copyright Infringement Case

Yesterday, the federal court hearing the billion-dollar case brought by Viacom against YouTube and Google ruled in favor of Google and YouTube on a summary judgment motion, deciding that YouTube is protected against claims of copyright infringement by the safe harbor provisions of the Digital Millennium Copyright Act (the "DMCA"), since it promptly sought to comply with the DMCA by removing protected content when notified of it.

The federal court held that under the law, if service providers were required to try to determine what content is infringing, or if service providers were held liable because they know infringement is rampant in the industry, or that users routinely post infringing materials, it "would contravene the structure and operation of the DMCA." Only Congress has the power to decide to alter or reallocate the burden of copyright protection from the rights holder (i.e., the copyright owner) to the service provider. In examining that question, the court stated that where such a huge volume of works are posted by others, the service provider "cannot by inspection determine whether the use has been licensed by the owner, or whether its posting” is a "fair use" of the material, or even whether its copyright owner or licensee objects to its posting. The DMCA is explicit: it shall not be construed to condition "safe harbor" protection on "a service provider monitoring its service or affirmatively seeking facts indicating infringing activity . . . ." Under the DMCA, if one has no notice of infringement and innocently publishes infringing content, until knowledge is shown – by "take down" notice or otherwise – a passive service provider platform would generally not be liable for intellectual property infringement.

It's unlikely you have heard the end of this lawsuit. In a statement posted yesterday by Michael Fricklas, Viacom Executive Vice President, General Counsel & Secretary, Viacom noted that, "This case has always been about whether intentional theft of copyrighted works is permitted under existing law and we always knew that the critical underlying issue would need to be addressed by courts at the appellate levels. Today's decision accelerates our opportunity to do so."

You can read and download the court's entire decision right here.

Social Media in Action in Copyright (U.S.)

Chapter Authors

Kathyleen A. O’Brien, Partner – kobrien@reedsmith.com
Rachel A. Rubin, Associate – rrubin@reedsmith.com


Introduction

This chapter explores the challenges to owners of copyrighted material (commercials, TV shows, films, music, lyrics, stories, articles, books, artwork, web content characters, etc.) created by social media and some strategies for dealing with such challenges.

The rise of social media and the broad reach of the Internet have created a host of new challenges for copyright owners. Digital technologies, including file sharing, MP3s, and digital photos, allow users to link to and display website content out of context while search engines, email, and social media sites enable them to disseminate copyrighted materials in an instant. While greater exposure and better communication with your company’s customers through social media can increase brand recognition and reach new markets, it also opens the door to copyright infringement on a whole new level.

The ease with which copyrighted material can be disseminated through social media presents competing considerations for copyright owners: how to adequately protect and preserve the value of your company’s creative works without squelching the public dialogue about those works or without alienating your customer base.

The following paragraphs provide an overview of key copyright issues that have arisen, or are likely to arise in connection with, three of the most popular social media sites—YouTube, Facebook and Twitter—and offer some practical pointers for copyright holders on ways to deal with them. We address real-life examples of copyright infringement in social media and how rights owners have responded, and identify key takeaways that rights owners can apply to their own works. We also look at the ways that YouTube, Facebook, and Twitter respond to copyright infringement claims and how they work—or sometimes don’t work—with rights owners. Finally, we provide a brief overview of copyright law to help you understand the legal protections that are available to your company.

Social Media in Action in Copyright

YouTube

YouTube, a popular site for sharing video content, has the sixth largest audience on the Internet and attracts 71 million unique users each month.[1] Each day, the viewing public watches more content on YouTube than on TV and cable combined—with more viewers than the Super Bowl.[2] While the size of YouTube’s audience and its display of video content present unique marketing opportunities, the unauthorized use of copyrighted material by its users is rampant. Users routinely post copyrighted commercials, music videos, TV shows, and films without authorization. They also use copyrighted material without permission in their own videos in a million creative ways ranging from postings of their kids dancing to a Michael Jackson song, to postings of their cats batting at a Disney cartoon on the TV. YouTube has been the object of media criticism directed at both its routine posting of infringing content and its failure to promptly remove such content.[3]

So what remedies do copyright owners have when the content they own is posted on social media sites? First, it is important to understand the legal obligations that have been imposed on Internet Service Providers (“ISPs”) like YouTube, which may help your company to stop infringement. The Digital Millennium Copyright Act (“DMCA”) requires ISPs to remove infringing content, upon notice from the copyright owner, in order to avoid liability for copyright infringement. The DMCA also requires ISPs to terminate the rights of those individuals who repeatedly post infringing content online.[4]

Second, it is important to know what tools ISPs like YouTube have made available to copyright owners to help stop infringement. For example, YouTube has created a dedicated Copyright Infringement Notification page where copyright owners can file an infringement notification.[5] In addition, YouTube has created a Copyright Verification Tool that “assists copyright owners in searching for material that they believe to be infringing and providing YouTube with information reasonably sufficient to permit…[it] to locate that material.”[6] Finally, YouTube offers a Video and Audio ID program that allows rights owners do the following: (1) identify user-uploaded videos comprised entirely or partially of their content; and (2) choose what they want to happen when those videos are found. Choices including making money from them; getting statistics on them, or blocking them from YouTube altogether.[7]

In an interesting twist, in October 2009, Scribd.com, an Internet-based social publishing company, was sued for copyright infringement by a copyright owner as a result of the very steps taken by the ISP to protect copyright owners from infringement. Elaine Scott, an author, claimed Scribd violated copyright law by retaining an unauthorized “digital fingerprint” of her book in its system and using it to ensure that content from the book was not reposted on its website. When Ms. Scott discovered content from her book on the Scribd website in July 2009, she notified the company of the infringement. As required under the DMCA, Scribd removed that content. However, it also left a “digital fingerprint” of the work in its filing system to help it to identify the book if it was reposted. Scribd did not obtain Ms. Scott’s consent to make or maintain this digital fingerprint, or to use her work in this manner.

This lawsuit highlights a Catch‑22 for ISPs. On one hand, if an ISP is notified of a violation and does not take steps to remove infringing material, it could be liable for infringement. On the other hand, using a filter system to make a digital fingerprint of the work to identify additional instances of unauthorized use may, itself, constitute infringement. Here, the court must decide whether using part of a work without the author’s consent is infringement or fair use. This case is particularly interesting because Scribd is a commercial publishing company and has created a filtering system that could be sold or licensed by Scribed to other similar companies. The case will decide whether an ISP’s limited use of a copyright owner’s work without the owner’s permission, in order to prevent reposting, constitutes fair use.[8]

Finally, your company may wish to consider what steps it can take to encourage consumers to use its copyrighted material in limited ways that are acceptable to it, such as by providing them with specific preapproved content through its company website and/or a social media site. Many companies are starting to create branded YouTube channels that allow consumers to interact with the company in new ways, such as through videos, games, or requests for user video responses to questions.[9] Because the YouTube Terms of Service grant YouTube a license in your company’s work, if your company is considering this option, it also should consider negotiating terms with YouTube that permit the company to retain control of its content.

In addition, YouTube Homepage Advertising, a video placement that places your company’s video on the top lineup on the YouTube home page,[10] can help your company to direct traffic to its copyrighted pages, and potentially deter consumers from uploading content without your permission. You then can track the traffic to your company’s video through the YouTube Insight page, which provides reports and maps of the traffic your company’s video receives, broken down by date, time, and global location.[11]

As social media sites like YouTube continue to evolve, it will be important for companies to continue to balance the need to protect their content from infringement against the need to provide consumers with preapproved content to use in their communications about your company and its products on social media sites, so that your company maintains some control and participates in that dialogue.

Facebook

Facebook has more than 350 million active users.[12] If Facebook were a country, its user base would make it the fourth largest country in the world. The enormous marketing opportunities presented by Facebook cannot be denied. These opportunities are not just domestic – about 70 percent of Facebook users are outside of the United States.[13] Further, there are more than 65 million active users currently accessing Facebook through their mobile devices, and the people who use Facebook on their mobile devices are almost 50 percent more active on Facebook than non-mobile users.[14] Not only can copyright infringement occur and proliferate quickly, but it can also be difficult to identify infringers. As a rights owner, this is not all bad news. Facebook is a great forum in which your company can monetize or share its work. However, you should understand how your company can stop infringement and think creatively about how to guide the use of its work in this medium before users take control.

Facebook offers various levels of copyright protection and remedies for infringement.[15] For example, the site provides both an automated DMCA form that your company can use to report copyright infringement,[16] and it has a procedure in place to appeal such claims.[17] Though Facebook’s enforcement of these policies is sometimes criticized, for the most part, these are viable and effective remedies.[18]

The key to copyright protection on Facebook is to monitor the dialogue, to think creatively and to respond quickly. A company that fails to take immediate action may lose out on unique marketing opportunities that may only exist for a fleeting amount of time. Take, for example, Hasbro’s response to Scrabulous, a thinly veiled online version of Hasbro’s Scrabble that was a major Facebook favorite in 2006-08.[19] Not surprisingly, the game and related application became the focus of an infringement lawsuit, which ultimately resulted in the removal of Scrabulous from Facebook; a lot of angry fans; the (not-as-successful) launch of Hasbro’s Scrabble application; and a re-branding and re-launch of what was formerly known as Scrabulous. One of the main reasons Scrabulous became so popular is because there was no “real” Scrabble on the site. Unfortunately, Hasbro missed out on a major opportunity to interact with and engage their audience in social media here by promptly providing a Scrabble application to fill that gap. Hasbro waited until two years after the developer of Scrabulous began exploiting Hasbro’s copyrighted game, made a profit, and gained the support of a broad swath of the Facebook audience, to respond with its own version. By the time the Hasbro finally launched its application, there had been too much controversy around Scrabble, and fans had moved on to other games. A month after the Scrabble application hit Facebook, there were only 8,900 active users, compared with the half-million-a-day users of Scrabulous the day Hasbro filed its lawsuit.[20] Neither Scrabble nor Lexolus, the new non-infringing version of Scrabulous, have recovered. In January 2010, Farmville was the most popular game on Facebook, and Scrabble does not even crack the top 15.[21]

Rights owners should also note how Facebook itself handled the controversy. While Facebook claimed to be a neutral platform provider, many commentators questioned this neutrality.[22] It was in Facebook’s interest to keep the game available on its site because it had a cross-generational appeal, and people could browse other Facebook pages while waiting for their opponent’s move. Any public relations fallout from pulling the game would have negatively impacted the site. Because the legal standards related to games are not as strict as those related to digital music or movies, Facebook was able to walk the line legally and err on the side of its platform developers.

The Scrabulous debacle should serve as a lesson to copyright owners: pay attention to what social media users are doing, act quickly and be creative. Doing so will not only protect your copyright, it can enhance the positive buzz about your company and its products, and can help your bottom line.

Twitter

Twitter is currently the fastest-growing social networking site out there. Twitter grew 1,382 percent year-over-year in February 2009, registering a total of just more than 7 million unique visitors in the United States for the month.[23] As noted in the Trademarks chapter, Twitter provides unique, immediate marketing opportunities,[24] but real risk of infringement of your company’s intellectual property as well. Unlike a traditional social media site like MySpace or Facebook, Twitter is a microblogging site that allows users to send and view short messages called tweets. Tweets are text-based messages limited to 140 characters in length that are posted on a user’s page and viewable to the entire world. Users can also restrict their tweets so they are viewable only to their friends, who are called followers. Users can tweet via the Twitter website, SMS, or smartphone applications.

For now, Twitter’s Terms of Service tend to follow the mold of other social media sites, with standard DMCA takedown requirements and disclosures. Twitter’s Terms of Service note that a user maintains ownership of her content, she grants a license to Twitter “authorizing [Twitter] to make [her] Tweets available to the rest of the world and to let others do the same.”[25] Twitter’s stated Copyright Policy is as follows:

Twitter respects the intellectual property rights of others and expects users of the Services to do the same. We will respond to notices of alleged copyright infringement that comply with applicable law and are properly provided to us. … We reserve the right to remove Content alleged to be infringing without prior notice and at our sole discretion. In appropriate circumstances, Twitter will also terminate a user’s account if the user is determined to be a repeat infringer.[26]

For copyright holders, such as authors, journalists, newspapers, screenwriters, lyricists, photographers, artists, and other holders of copyright in written and visual works, Twitter presents some new and novel challenges. By the nature of a Tweet, a user is more likely to get in trouble for defamation or libel than for copyright infringement.[27] However, as journalists and individuals begin to use Twitter to report during a political protest, such as those following the Iranian presidential election in June 2009 when the government shut down phone and Internet service,[28] or during a national disaster, like the earthquake in Haiti, copyright issues arise.

The unauthorized use of photographs posted via Twitter is the first opportunity the courts will have to examine copyright infringement on the site. In April 2010, Agence France Presse (AFP) sued a photojournalist in the U.S. District Court in New York, for “antagonistic assertion of rights.”[29] The photojournalist took an iconic photo of a woman staring out from the rubble in the aftermath of the Haiti earthquake, which he posted on Twitter via TwitPic, a Twitter-compatible—but separate from Twitter—photo sharing application. The next day, his image was picked up by AFP and Getty Images, and appeared on the cover of several publications and websites. The photojournalist never authorized AFP to use or distribute his images, and sent strongly worded cease-and-desist letters demanding payment. AFP claims that because he posted the images on Twitter, he is bound by Twitter’s terms of service, and that he had granted a nonexclusive license to use, copy and distribute his photographs. The AFP’s case relies on Twitter’s Terms of Service, which primarily address text-based tweets, not content linked to the site via another application. TwitPic has its own Terms of Service. The outcome of this case may change the way journalists and photographers share breaking news and information on social media. It will also inform how the courts approach copyright infringement on Twitter.

This case still leaves open two major questions with regard to Tweets and copyright law: (1) are pure text-based Tweets themselves copyrightable expression, and (2) can text-based Tweets infringe copyright ownership? At the moment, there is certainly potential for copyright infringement, but there are more questions than answers. A user may quote portions of your copyrighted work without attribution, which may be subject to the fair-use defence for an individual Tweet; but what happens if a user starts posting your entire novel, 140 characters at a time? Will a court look at the individual Tweets, or will it look at the larger conversation and context? Is one Tweet part of a longer document, or is each Tweet a separate event? What happens when users use your graphic design as their background on their Twitter pages, or as their personal image in their profile? If a Tweet is in fact copyrightable, is re-Tweeting, reading a Tweet, displaying full Tweets on other sites, or quoting a Tweet in a news story, fair use? Each of these actions copies the entire expression in the original Tweet. The Tweet was posted on a public site by a user who knows it “may be viewed around the world instantly,” and the user agreed via the Terms of Service that her tweets could be re-Tweeted, etc. Although these questions fall clearly within the realm of copyright infringement, the courts and regulators have not addressed them.

Users are beginning to question the copyrightablility of their Tweets. For example, in spring 2009, Mark Cuban, owner of the Dallas Mavericks, was slapped with a $25,000 fine by the National Basketball Association (“NBA”) for tweeting during a game about a bad referee. When ESPN republished his Twitter feed without his permission, Cuban got mad and raised questions about the propriety of ESPN’s act on his personal blog.[30]Under Twitter’s Terms of Service, however, by posting your Tweet, you allow Twitter to broadcast your comment to the entire world, and allow anyone to re-Tweet your comment. ESPN was fully within its rights to repost, but this kind of commentary among the Twitterverse will undoubtedly stir up legal issues.

Like the rest of the Twitter/copyright relationship, it is unclear whether a Tweet that is not quoting from a protected work is copyrightable expression. There is a plausible argument that a Tweet could be copyrighted if it is an original expression, it is not in the public domain, and is not licensed, either explicitly or implicitly. In order to be copyrightable, a Tweet must be sufficiently original—not just a statement of fact or the sharing of information.[31] Generally, there are two aspects to originality: independent creation and a modest quantum of creativity.[32] As a general proposition, mere words and short phrases, even if they occur in an original copyrighted work, do not themselves enjoy copyright protection.[33] Moreover, titles may not claim copyright protection.[34] At only 140 characters, a Tweet is likely too short and too superficial to be an original expression. If a Tweet is a slogan, there is some argument that the short phrase could be trademarked. (See Chapter 14 – Trademarks.)

At least for now, copyright owners should not expect full and complete rights in what they post on Twitter. These are all issues that have yet to be decided directly by a court, and it is as yet unclear how well developed Twitter’s plan for dealing with copyright infringement is, or how well enforced. As a result, a copyright owner must be active about protecting her rights, and must think about how (or whether) Tweets can damage your copyright interests. Determine a standard as to your opinion of objectionable use of your material, and use the copyright infringement policy to your advantage. As the Twitter Terms of Service say, “What you say on Twitter may be viewed all around the world instantly. You are what you Tweet!”[35]

Current Legal and Regulatory Framework in Copyright

Creative Commons Licenses

Creative Commons is a nonprofit organization dedicated to expanding the range of creative works available for others to build upon legally and to share.[36] They provide licenses to mark creative work and to allow an author to decide how others can use, share, remix, or use their work commercially.[37] These licenses give creators and content owners a way to grant copyright permissions to use their works. In the interest of sharing, collaboration, and access to creative content, Creative Commons licenses essentially enable content owners to change their copyright terms from “all rights reserved” to “some rights reserved.”[38] The rights reserved are up to the content owner.

Creative Commons licenses are becoming a popular alternative to traditional copyright licenses, particularly on the Internet.[39] Many individual photographers, writers, and musicians who are not associated with an agency or a label now are using Creative Commons licenses to share and protect their works. These licenses allow creators to grant broader access to their works. Musicians, bloggers, and artists are signing on to the idea of greater public access to information through licensing. New industries continue to accept Creative Commons licenses, so the impact of this shift may be significant. A blogger, for example, can select from seven different licenses, choosing which protections of traditional copyright licenses he wishes to apply to his work, and which he is willing to waive.

In the publishing and music worlds, Creative Commons licenses are becoming more and more common. In August 2009, Google Books launched a program to enable authors to make their Creative Commons-licensed content available for the public to share, download, remix, and use. In May 2009, the band Nine Inch Nails released a “one hundred percent free” album to fans under a Creative Commons license. The band told fans

‘we encourage you to
remix it
share it with your friends,
post it on your blog,
play it on your podcast,
give it to strangers,
etc.’[40]

All tracks are readily remixable via their audio source files that are available on the page.[41] Also, in contrast to services that prevent the re-distribution of tracks, all of these files are 100 percent DRM-free. This alternative path for artists to distribute their music creates a substantial challenge to the music industry, and essentially forecloses any copyright claims the band may have regarding the use of this content in the future.

The problem with these licenses is that content creators do not necessarily understand what rights they are getting or giving up. For example, a photographer uploaded pictures of his trip to Australia to his Flickr account. He later found them used in an Australian travel ad campaign. Though he was upset that the photos were used without his permission and without any payment, he lost his case because he used a Creative Commons license that granted use rights to the public. Thus, companies who chose to grant a Creative Commons license must be sure that they understand exactly what use rights they are granting to the public since they will no longer be able to reap the monetary benefits of the exclusive right to use that content in the future.

The Law Behind Copyright

In general, content on the Internet is protected by the very same copyright laws that protect content off-line. So far, the courts have not expanded the fair use defense to allow for the unauthorized use of copyrighted content by users on social media sites. The Internet does make it more difficult for companies who own copyrighted material to control the unauthorized distribution and use of such works, and may make it harder to identify the infringer and hold him accountable.

What is a copyright? According to the U.S. Patent and Trademark Office,

A Copyright is a form of protection provided to the authors of “original works of authorship” including literary, dramatic, musical, artistic, and certain other intellectual works, both published and unpublished…. The owner of copyright [has] the exclusive right to reproduce the copyrighted work, to prepare derivative works, to distribute copies or phonorecords of the copyrighted work, to perform the copyrighted work publicly, or to display the copyrighted work publicly. [42]

A copyright protects the manner in which you express an idea, or the “form of expression rather than the subject matter of the writing.”[43] It does not protect the underlying idea or information. For example, your company’s original description or photograph of a clock could be copyrighted, but your copyright only prevents others from copying your specific description or photograph; it does not prevent them from writing their own description, taking their own photograph, or using the clock. The copyright on Kermit the Frog, for example, restricts others from making copies of or derivative works based on the Kermit character, but it does not prevent others from anthropomorphizing a frog. Likewise, there is no copyright protection for the idea of a hidden camera consumer taste test, but what can be protected is the actual dialogue, copy, layout, photography, music, or other actual expression used by your company in that format.[44]

Copyright law prohibits third parties from creating derivative works based upon a pre-existing work without the copyright owner’s permission. To establish copyright infringement in any context, the owner of the copyright must prove that he owns a valid copyright in the material and that the defendant has reproduced, distributed, or publicly displayed protected elements of the work, or has created a derivative work based on the copyrighted work without permission.[45] In the context of computers, mobile devices, and the Internet, the unauthorized transfer of a computer file representing the copyrighted work, or from which the copyrighted work can be reproduced with the aid of a machine, is copyright infringement.[46]

Copying is established when the copyright owner shows that the defendant had access to the copyrighted work and there is a substantial similarity between the copyrighted work and the defendant’s work.[47] Because the standards by which copyright infringement are judged are so subjective, each case must be decided based on its individual facts. Courts tend to analyze an advertisement to determine whether the allegedly infringing ad captured the “total look and feel” of the allegedly infringed work. This means that the court will look not only at the individual elements of the pre-existing work, but also at the aggregate appearance of the work to determine whether there is “substantial similarity” between them.

Because copyright infringement cases are so fact-specific, there is no bright line rule as to the amount of copying that constitutes copyright infringement. Some cases have found copyright infringement even where only a small portion of the text has been copied. For example, a court found copyright infringement where only 3-6 percent of the overall material had been copied.[48] In that case, the defendant published a book of trivia questions and answers about the “Seinfeld” television show. Only a small portion of each episode, including quotes and situations, was included in the book. Although the court did not find that the defendant had violated the “Seinfeld” copyrights based on the quantitative component, the court focused on the qualitative component, finding that each question was “based directly upon original, protectable expressions in Seinfeld.”[49]

In another case, the same court held that a defendant had not infringed works where it copied approximately 20 percent of the overall material.[50] In that case, the defendant copied approximately 22 abstracts from the plaintiff. Although the court found copyright infringement in 20 of the abstracts, the court concluded that two of the abstracts did not infringe Nikkei’s copyrights, but for two very different reasons.

In the article that copied the 20 percent of the plaintiff’s original work, the court found that the quantity of the copying did not constitute infringement given the “nature” of the articles, namely that they consisted “almost entirely of [plaintiff’s] reporting of unprotected facts . . .”[51] In the other abstract, the court found no infringement of plaintiff’s original work, as the defendant did not copy the abstract itself. The court determined that “by incorporating [plaintiff’s] abstracted facts into new and original sentences, [the defendant] stay[ed] well clear of qualitative infringement even though the abstract use[d] nearly all of the facts contained in the corresponding article.”[52]

Fair Use

The fair use doctrine is an affirmative defense to copyright infringement that limits the exclusive right of the copyright owner to reproduce the copyrighted work.[53] While the fair use defense is also fact specific, the Copyright Act provides the following illustrative list of factors to be considered in determining whether a defendant’s use of the work constitutes a fair use: (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and (4) the effect of the use upon the potential market for or value of the copyrighted work.[54]

Bottom Line—What You Need to Do

Although social media presents a new and ever-expanding forum in which to disseminate copyrighted material, copyright owners can use a variety of tools to protect their copyrighted works without squelching consumer interest. It is possible to walk the line between protecting your copyrighted works, encouraging public dialogue about your works, and maintaining a good relationship with your customer base. We encourage copyright owners to understand and participate in social media. Pay attention to how users seek to use and interact with both your copyrighted material and similar types of material offered by others. Be creative and consider new ways your work can be used in social media. If you discover your rights are being infringed in material ways that jeopardize your company’s rights or rob it of its profits, respond quickly in a way that is sensitive to the medium.



[1]      YouTube Advertising Information Page, http://www.youtube.com/advertise.

[2]      YouTube Advertising Information Page, http://www.youtube.com/advertise.

[3]      Most ISPs, including YouTube, do advise users not to use copyrighted words, and counsel them on how to avoid infringement. YouTube posts an intellectual property protection policy on its site and notifies users that they should not use copyrighted material without permission in its terms and conditions. YouTube Terms of Service. YouTube also has a Copyright Tips page that defines copyright protection and tells users how to avoid infringing someone else’s copyright:

Posting copyright-infringing content can lead to the termination of your account, and possibly monetary damages if a copyright owner decides to take legal action (this is serious—you can get sued!). Below are some guidelines to help you determine whether your video is eligible or whether it infringes someone else's copyright. YouTube Terms of Service, http://www.youtube.com/t/terms. YouTube Copyright Tips, http://www.youtube.com/t/howto_copyright.

        Finally, YouTube’s Terms of Service requires users to agree that they will not post any submissions that are subject to third party proprietary rights.

[4]      Full text of the DMCA: http://thomas.loc.gov/cgi-bin/query/z?c105:H.R.2281.ENR:

[5]      YouTube Copyright Infringement Notification, http://www.youtube.com/t/copyright_notice.

[6]      YouTube Content Verification Program, http://www.youtube.com/t/copyright_program.

[7]      YouTube Content Management, http://www.youtube.com/t/contentid.

[8]      Scribd.com Homepage, http://www.scribd.com/.

[10]    Id.

[11]    YouTube Insight, http://www.youtube.com/watch?v=Xo6HBKTyIzQ; YouTube Blog, Broadcasting Ourselves ;), More statistics coming to a video near you (July 22, 2009), http://youtube-global.blogspot.com/2009/07/more-statistics-coming-to-video-near.html.

[12]    Facebook Advertising, http://www.facebook.com/advertising/?src=pf.

[15]    Facebook’s copyright policy for advertisers reads:

Adverts cannot include any content that infringes upon the rights of any third party, including copyright, trademark, privacy, publicity or other personal or proprietary right.

The advertiser must have intellectual property rights to the creative and be permitted to display such creative as advertising on the Facebook Site.

        Facebook Advertising Guidelines, http://www.facebook.com/terms.php?ref=pf#/ad_guidelines.php.

[16]    Facebook Copyright Policy, How to Report Claims of Copyright Infringement, http://www.facebook.com/terms.php?ref=pf#/legal/copyright.php?howto_report

[17]    Facebook Copyright Policy, How to appeal claims of copyright infringement, http://www.facebook.com/terms.php?ref=pf#/legal/copyright.php?howto_appeal=1.

[18]    See, e.g., Sally M. Abel, Trademarks and Rights of Publicity in the Converged World, 978 PLI/pat 57, Sept. 2009.

[19]    Id.

[20]    Id.

[21]    AppData.com – Facebook Application Metrics, Leaderboards for Sunday, January 24, 2010, (Jan. 24, 2010), http://www.appdata.com/.

[22] Caroline McCarthy, Why Facebook Left Scrabulous Alone, The Social – CNET News (Aug. 1, 2008), http://news.cnet.com/8301-13577_3-10003821-36.html?tag=mncol.

[24]    On April 13, 2010, Twitter announced that it will begin to host advertisements on its site. These will not be traditional ads, but rather “promoted tweets” targeted at certain people based on their searches on the site, based on the Google advertising model. Twitter to have paid tweets show up in searches, AP Newswire (Apr. 13, 2010), http://www.google.com/hostednews/ap/article/ALeqM5h51oZKi0PpOIcpnnsbgdzpseGf1AD9F27S1O0

[25]    Twitter, Terms of Service, http://twitter.com/tos.

[26]    Twitter, Terms of Service, http://twitter.com/tos.

[27]    In March 2009, Courtney Love, Kurt Cobain’s widow and lead singer of the band Hole, was sued in Los Angeles by a fashion designer who had done work for her, who claims that Love posted a series of mean-spirited defamatory and libelous Tweets about her. Andrew Johnson, Love’s online spat sparks first Twitter libel suit, The Independent (Mar. 29, 2009), available at http://www.independent.co.uk/news/media/online/loves-online-spat-sparks-first-twitter-libel-suit-1656621.html.

[28]    Iran Protesters Using Tech to Skirt Curbs, CBS News.com (June 15, 2009), http://www.cbsnews.com/stories/2009/06/15/earlyshow/leisure/gamesgadgetsgizmos/main5088668.shtml.

[29]    Jessica Lum, News Wire Allegedly Steals Iconic Haiti Photo, Then Sues Photographer, (Apr. 27, 1010), http://www.petapixel.com/2010/04/27/news-wire-allegedly-steals-iconic-haiti-photo-then-sues-photographer/; Dan Kennedy, Haitian Copyright Case Turns on Twitter’s TOS, (Apr. 27, 2010), http://www.dankennedy.net/2010/04/27/more-on-the-haitian-copyright-case/.

[30]    Mark Cuban, Blog Maverick (March 29, 2009), http://blogmaverick.com/2009/03/29/are-tweets-copyrighted/.

[31]    The majority of tweets only relate facts or comments or retweet another’s statement of fact. Kelly Ryan, ed. Twitter Study Reveals Interesting Facts About usage, San Antonio, Texas: Pear Analytics, (Aug. 12, 2009), http://www.pearanalytics.com/wp-content/uploads/2009/08/Twitter-Study-August-2009.pdf.

[32]    Feist Publications, Inc. v. Rural Telephone Service Co., Inc., 499 U.S. 340 (1990).

[33]    See Arica Institute, Inc. v. Palmer, 970 F.2d 1067, 1072-73 (2d Cir. 1992).

[34]    See Arvelo v. Am. Int’l Ins. Co., 1995 U.S. App. LEXIS 27165 (1st Cir. 1995) (per curiam) (citing Melville B. Nimmer & David Nimmer, Nimmer on Copyright, § 2.16, 185-85 (1995 ed.)).

[35]    Twitter Terms of Service, available at http://twitter.com/tos.

[36]    Creative Commons, About, http://creativecommons.org/about/.

[37]    Creative Commons, About, http://creativecommons.org/about/.

[38]    Creative Commons, What is CC? http://creativecommons.org/about/what-is-cc.

[40]    Nine Inch Nails – The Slip download site, http://dl.nin.com/theslip/signup.

[41]    Nine Inch Nails – Remix page, http://remix.nin.com/.

[42]    United States Patent and Trademark Office, Copyright Basics, http://www.uspto.gov/web/offices/dcom/olia/copyright/basics.htm; Federal copyright law protects eight broad categories of original works: (1) literary works; (2) musical works; (3) dramatic works; (4) pantomimes and choreographic works; (5) pictorial, graphic, and sculptural works; (6) motion pictures and other audiovisual works; (7) sound recordings; and (8) architectural works. 17 U.S.C. § 102(a) (2001).

[43]    Id.

[45]    17 U.S.C. §§ 501, 106.

[46]    17 U.S.C. § 101; MAI System Corp. v. Peak Computer, Inc., 991 F.2d 511 (9th Cir. 1993).

[47]    Los Angeles Times v. Free Republic, 54 U.S.P.Q.2d 1453, 1458 (C.D. Cal. 2000).

[48]    Castle Rock Entm’t, Inc. v. Carol Publ’g Group, Inc., 150 F.3d 132, 144 (2d Cir. 1998).

[49]    Id. at 138.

[50]    Nihon Keizai Shimbun, Inc. v. Comline Bus. Data Inc., 166 F.3d 65, 73 (2d Cir. 1999).

[51]    Id. at 71.

[52]    Id.

[53]    Los Angeles Times v. Free Republic, 54 U.S.P.Q.2d 1453, 1458 (C.D. Cal. 2000).

[54]    17 U.S.C. § 107 (2001).

 

Social Media in Action in Data Privacy & Security

Chapter Authors

United States

Mark S. Melodia, Partner –mmelodia@reedsmith.com
Paul Bond, Associate – pbond@reedsmith.com
Amy S. Mushahwar, Associate – amushahwar@reedsmith.com

United Kingdom

Cynthia O’Donoghue, Partner – codonoghue@reedsmith.com
Gregor J. Pryor, Partner – gpryor@reedsmith.com


Introduction

This chapter explores the implications in social media arising from the laws and regulations surrounding data privacy, security and information security management.

According to statistics published on Facebook,[1] there are more than 400 million active users of Facebook worldwide. Most major brands have Facebook group and/or fan pages—with commentators even doing case studies of those that have been most effective.[2] Yet, there remains reluctance by some companies and brands to use social media. Social networking sites such as Twitter, MySpace, Facebook and LinkedIn may enhance collaboration and help companies connect with customers, but they can also make it easier than ever for employees and customers to share confidential customer data, company secrets and negative product information. A major airline’s Valentine’s Day debacle exemplifies how the usefulness of social media is tempered by fear of what might be disclosed.[3] The passengers were stranded on the tarmac, some up to 11 hours, while a rapidly moving storm tore through the East Coast. Passengers were immediately using their mobile phones, and stories accompanying pictures of overflowing toilets instantaneously appeared in social media. Similarly, when a group of unfortunate passengers were stuck in the Channel Tunnel for several hours during adverse winter weather, Facebook updates told the story of their difficulties. Just as these incidents spread virally via social media, so too might the liability associated with a breach of protected personal information. In the United States, millions of dollars in claims could be made against the hosting site and cause extremely bad publicity. The prospects for further government regulation of social media in the United States. are accelerating. Prompted by the expansive new information sharing practices of social media companies, both the Federal Trade Commission (“FTC”) and the United States Department of Commerce are looking into the development of formal standards to protect the privacy of Internet users.[4] The adequacy of the traditional framework of providing notice to consumers about privacy practices and relying on the consumer’s informed choice is coming under increasing skepticism.

Social Media in Action in Data Privacy & Security

Personal data collected by social media companies is at risk from all sides. Thieves want to profile, steal and resell personally identifiable information and data. Employees are tempted to misuse customer data, for monetary gain or to satisfy idle curiosity, perhaps with no malicious purpose at all.[5]  Even standard business processes pose risks to personal data. Not forgetting that social media companies themselves want to gain commercial leverage from the data collected.

Social media enterprises collect, store, use, share, and dispose of personal data every day, including eCommerce-related non-public financial information (for example, credit, banking and payment information). Each of these inflection points is an opportunity for something to go wrong, for a law to be broken or a data subject put at risk. This chapter explains some things social media companies and companies that use social media should know.

Company Obligations Set Forth in the User Agreement

User agreements are private agreements between the publisher and its users, and they define the rights and obligations of each party. Typically, user agreements have at least two components: (1) a privacy policy and (2) a terms of use. While there is no legal distinction between putting them into one document rather than splitting them, social media and web-based services recognise the increased importance privacy and data protection play—not only in law and regulation, but also to consumers. In Europe, regulatory guidance suggests separating terms of use and terms relating to data protection and privacy. Creating a separate document, page or display makes these terms conspicuous, and in a visual and distinctive manner create a better “notice and disclosure” or transparency and consent argument, should a consumer or a regulator challenge the efficacy of notice to consumers.

Privacy policies are statements made by companies about their practices regarding personal information. Companies on the Internet, social media or otherwise, post privacy policies to disclose information practices in accordance with federal and state statutes.[6] Terms of use, on the other hand, describe the terms and conditions governing the relationship between the user and the publisher or operator of the service. Because privacy policies are effectively part of the terms and conditions—the rights and obligations—between the parties, we may simply refer to them as the “agreement” in these materials.

Because these agreements run between and among publishers and users (and sometimes a company that is using a service or website), a company’s obligation with respect to personal data will change depending upon whether it is the social media service (e.g., Facebook, MySpace or Twitter), a company-sponsored fan site (e.g., a Starbucks sponsored fan site on MySpace) or an unrelated third-party fan site.

Social Media Companies

Social media companies, as authors of these agreements, have the primary responsibility to ensure all personally identifiable information that is collected, used, stored and shared, is used in accordance with the user agreement (and, of course, law and regulation). But, this does not mean that social media companies must be overly conservative in their user agreements. Most social media companies do not charge any recurring user fees for use of their site or service. So, access to and data from users in the community is a social media company’s primary commodity to monetise the site.

This ability to commercially exploit data is tempered by data protection and privacy laws. The need for ‘information monetisation’ can create in an adversarial relationship between the site user and the social media company. As a result, many consumer advocacy organisations are analysing and notifying consumers of updates to social media website user agreements.[7] These consumer watchdog organisations can generate considerable controversy; take for example, Facebook’s Terms of Service update in February 2009. At that time, The Consumerist flagged a series of changes to the Facebook Terms of Service, including deletion of the following text:[8]

You may remove your User Content from the Site at any time. If you choose to remove your User Content, the license granted above will automatically expire, however you acknowledge that the Company may retain archived copies of your User Content.

From this deletion, The Consumerist author, Chris Walters, opined that: “Now, anything you upload to Facebook can be used by Facebook in any way they deem fit, forever, no matter what you do later,” Walters wrote. “Want to close your account? Good for you, but Facebook still has the right to do whatever it wants with your own content.” Ultimately, The Consumerist blog created a firestorm, which caused Facebook to repeal its Terms of Service changes three days after the blog was posted.

The Terms of Service change is not the only example of the tension created over the use of consumer information and consumer disclosures. In the early days of 2007, Facebook launched its Beacon advertisement system that sent data from external websites to Facebook, ostensibly for the purpose of allowing targeted advertisements. Certain activities on partner sites were published to a user’s News Feed. Soon after Beacon’s launch, civic action group, MoveOn.org, created a Facebook group and online petition demanding that Facebook not publish their activity from other websites without explicit permission from the user.[9] In less than ten days, this group gained 50,000 members. Beacon amended its Terms of Service as a result.[10] A class action lawsuit was filed against Facebook as a result of Beacon. The lawsuit was ultimately settled in September 2009[11], and the Beacon advertisement service was shut down.

Facebook has, nonetheless, continued to press on the outside of the envelope with respect to consumer privacy. At the F8 Conference this April, Facebook announced a series of changes to its privacy policies sure to draw considerable attention.[12] The changes include:

Allowing external websites to add a “Like” button. If the user of that external website clicks the “Like” button, that user’s Facebook page will be modified to reflect information about the user’s use of that external site. The user’s Facebook friends will be able to view such information.

Partnering with sites like Pandora and Yelp! to provide for “instant personalization.” This means that when a Facebook user visits those sites, unless she has taken specific elections on her Facebook privacy settings, those sites will download “can pull in information from your Facebook account, which includes your name, profile picture, gender and connections (and any other information that you've made visible to the public). If you visit Pandora, for example, the site could also pull in your favorite music artists, create playlists accordingly, and then notify your Facebook friends.”[13]

In the immediate aftermath of the Facebook changes, members of the United States Congress have already expressed intent to pass laws putting the onus on companies like Facebook to get specific consent from consumers before rolling out new information sharing platforms.[14]

Compared to the United States, Europe has traditionally taken a more stringent approach to data protection. Article 8 of the Charter of Fundamental Rights of the European Union explicitly provides a fundamental right to protection of personal data within the EU. There is also a greater focus on raising awareness. For example, Europe even organised a “European data protection day”, held annually on 28 January.[15] As a result, social networking sites tend to be the subject of far greater public scrutiny than in the United States. Privacy groups and thorough press coverage ensure that any changes to the privacy policies of service providers and any risks or abuses related to these services are comprehensively discussed and brought to the attention of social media users. The Guardian story covering the changes to Facebook’s Privacy Policy in 2009 titled “Facebook privacy change angers campaigners”[16] and a headline from The Sun titled “Teen Weapons Shock On Bebo”,[17] are just two examples of the press coverage social networking sites receive.

Company or Third-Party Sponsored Fan Site or Portal

Many companies, however, do not own or operate a social media website, and thus, do not author the social media user agreement. Instead, these companies are monitoring content regarding their products and services on fan sites/portals run by another company. For example, Starbucks does not operate its own social media website, but operates portals on MySpace, Facebook, Twitter and YouTube. The key for removing information that may be detrimental to Starbucks or any brand is to know where the content lies (on a company or third-party sponsored portal), and the user agreement of the social media website the offending information lies upon.

For portals or fan sites that are sponsored by the marketing company, it is simple for the company to remove offending information. Facebook, MySpace and YouTube offer page administration options for content removal on company-sponsored portals. For these services, the company can directly control content posted to the portal by designating in its administrative options to pre- or post-screen user-generated content. Twitter, however, works differently. On the company-sponsored Twitter profile, the company can control what “Tweets”[18] it sends to its followers, but the company cannot directly control what is “retweeted”[19] by others from the company-sponsored tweets.[20]

For portals or fan sites that are not sponsored, it is more difficult to administer content and remove known privacy violations. Removal of third-party content involving your company or brand is governed by the respective social media site’s user agreement. These will be different depending on the site or service. Take, for example, if one of your employees records a confidential session (a health care visit, tax preparation, loan application meeting, etc.) between the employee and one of your customers. Could the company seek removal of the confidential video? The question of whether a corporation could remove this content on behalf of its customer is different depending upon what social media service is used.

  • On YouTube the answer is no. On YouTube, the remedy for removing content is flagging it for removal. Under the YouTube privacy policy, YouTube will not permit privacy flagging on behalf of other people.[21] Alternatively, companies could issue cease-and-desist e-mails directly to the employee posting the content on YouTube.
  • On Facebook the answer is possibly. On Facebook, the remedy for removing content is reporting abuse of Facebook’s Statement of Rights and Responsibilities (the “Terms”).[22] In Section 5 of the Terms, Facebook will not permit posting of “anyone’s identification documents or sensitive financial information on Facebook.”[23] Depending on the content of the private information disclosed in the videotaped confidential meeting, a company could report a violation on behalf of its customer.
  • On MySpace the answer is yes. On MySpace, the remedy for removing content is submitting a request to delete inappropriate content that violates the website’s Terms of Use Agreement.[24] Under the Terms of Use Agreement in Section 8, any postings that would violate the privacy and/or contractual rights of another party are prohibited.[25] In this scenario, there would be both an individual privacy right on behalf of the customer and a contractual confidentiality right of the company (provided a proper confidentiality provision is in place with the employee).

Notwithstanding the removal of some content by social network providers from the service, it may still surprise some users how their data is stored and used by social networking sites, even in some cases after it has been removed or the user is no longer a member of the site. In addition, social media sites employ technological measures that recognise a user’s computer. For example, according to Twitter’s terms of use, Twitter can collect and use a user’s “automatic” information, such as a user’s IP address or cookies. Whether these provisions will be sufficient to satisfy the upcoming changes in law which will require Twitter to obtain European users’ consent before using their cookies remains to be seen.[26]

Notwithstanding the contractual user agreement rights and obligations on social media, a number of national and international laws also govern this area.

Company Obligations Set Forth in National and International Law

U.S. position

Today, businesses operate globally with technology that knows no national boundaries. Nothing comes more naturally than sharing and sending information halfway around the world. Social media epitomises that modern, global ethos.

Every jurisdiction in the world can claim the right to protect its citizens–and information about them. The United States has a very different concept of “personal information” and adequate protection of it than the European Union; the European laws are not necessarily across all of its Member States. And so it goes, in every part of the world. A social media company can be completely compliant with United States law and still run afoul of legal mores elsewhere. By way of example, Facebook experienced a culture clash with Canada’s privacy commissioner with respect to the disposal of personal information. Facebook had been retaining data on subscribers who quit, so that they could more easily rejoin should they choose to do so later. Canada’s privacy commissioner determined that Facebook’s retention of data was a violation of Canada’s Personal Information Protection and Electronic Documents Act, and negotiated a settlement that provides that, “Collected personal information can be kept only for a specified time and must be deleted or destroyed when no longer needed.”[27]

Europe position

Social media services accessible in Europe will also have to comply with the relevant legislation, the implementation of which may differ between Member States. They may also be subject to any additional national measures.

The EU’s Article 29 Data Protection Working Party has set forth an opinion on online social networking.[28] This Opinion, adopted June 12, 2009, opines that “social networking services” or “SNS” are generally data controllers, and SNS subscribers are generally data subjects. In the view of these authors, even those SNS located outside the EU are bound to respect EU strictures on data processing and onward transfer as to residents of EU member countries. Where a subscriber’s information is only available to a self-selected circle of friends, the Opinion posits that the exception allowing sharing of personal information within households applies. However, when access to the subscriber’s information is shared more broadly, with or without that subscriber’s consent, “the same legal regime will then apply as when any person uses other technology platforms to publish personal data on the web.”[29] The Working Paper goes on to state a number of other positions regarding marketing by SNS, complaint procedures, and (advocating) the availability of pseudonyms.

United Kingdom position

The UK has its own domestic data protection law in place which implements the EU Data Protection Directive.[30] The Data Protection Act 1998 (‘Act’) requires organisations processing personal data to comply with eight distinct data protection principles. The UK also has in place domestic legislation implementing the EU e-Privacy Directive.[31]

The UK Government is currently at odds with the European Commission for failing to properly implement the Data Protection Directive and e-Privacy Directive at national level. The European Commission commenced infringement proceedings against the UK for its failure to guarantee the confidentiality of electronic communications (such as emails and internet browsing) which protection is otherwise enshrined in European legislation. This action was triggered by secret trials conducted in 2006-2007 by the UK telecommunications provider, British Telecom, of a behavioural advertising technology being developed by the company Phorm. This technology enabled the monitoring of an individual’s Internet use without the user’s consent or knowledge, the results of which enabled companies to more effectively target advertising to users. In a failed attempt to bypass data protection laws, Phorm matched a user’s IP address with a unique identifier which was then provided to advertisers, together with profiling information about browsing history. If the UK fails to change its domestic legislation to ensure the privacy of online communications, this action may result in a hearing before the European Court of Justice.[32]

Privacy Policies/Notices: Guidance and General Principles

On both sides of the Atlantic surveys have been carried out to assess whether privacy policies sufficiently and clearly inform users of how their personal data will be used and for what purposes. Although in the UK privacy policies are not a legal requirement under the Act, a privacy policy is a simple way to satisfy the fair processing requirement, which is one of the data protection principles under the Act. Regulatory guidance supports the use of clear and simple privacy policies which adapt a “layered” approach, with the most important information highlighted in a clear manner.

Nonetheless, the surveys have highlighted a need for existing privacy notices to be clearer and more user-friendly. As a means to an end, organisations should make sure that their privacy policies focus primarily on informing the consumer and not on protecting the entity.[33]

Privacy policies should be reviewed regularly to make sure that they continue to comply with any changes in the data processing activities of an organisation and the relevant data protection and privacy laws applicable.

There are obvious benefits to ensuring privacy policies are transparent. Not only will consumers be less likely to complain, it may also provide a competitive advantage from consumers having more confidence in the organisation and how their personal data is being processed. This may lead to consumers entrusting the organisation with further personal data it would not otherwise have received. This seems to be one of the most important trends in social media today – do users trust the site operator?

The Next Direction in Privacy Law [34]

The main challenge for social media companies is that the regulatory privacy obligations seem to be developing on-the-fly in this area. There was no US law clearly forbidding Facebook from partnering with several dozen other sites to share information regarding subscriber usage of affiliate sites. There was no law clearly forbidding Facebook from making such activity logs visible to the subscribers’ friends. Facebook even provided a pop-up, opt-out mechanism to help respect subscriber privacy choices. Yet following a class action lawsuit, discussed above, Facebook shut down its Beacon program and donated $9.5 million to a non-profit foundation to promote online safety and security.[35] Clearly, as important as existing laws are the developing sensibilities of both consumers and privacy officials. The predominant theme appears to be a profound antipathy toward the aggregation and use of information of consumer behavior, however well disclosed. Social media companies need to proceed very carefully in capitalising on the wealth of information that they are assembling, developing subscriber and policymaker support for programs in the works, and adequately disclosing program information to consumers, at a minimum, in the user agreement. Moreover, companies need to realise that even where the law has been slow to catch up, consumer reaction and the threat of regulatory or legal action has often shaped privacy practices in social media. Keeping on top of those trends is critical.

Take, for example, the 2009 global industry initiative to address concerns over behavioral advertising. In 2009, the American Association of Advertising Agencies, Association of National Advertisers, Interactive Advertising Bureau, Direct Marketing Association and the Better Business Bureau, completed a joint business initiative and released the “Self-Regulatory Principles for Online Behavioral Advertising”.[36] The trade groups worked closely with the Council of Better Business Bureaus in crafting the principles. The initiative was in response to urging by the FTC that unless the industry adopted polices, government regulators would step in.

The industry effort covers the categories the FTC identified as the key areas of concern: education, transparency, consumer control, data security, material changes, sensitive data and accountability. The Council of Better Business Bureaus, along with the Direct Marketing Association, are now developing additional policies to implement accountability programs to give some teeth to the self-regulatory rules and to foster widespread adoption of the principles.

This initiative appears to have now crossed over to Europe and there is discussion of a special “behavioural” advertising logo that will be displayed in all behavioural advertising. Looking forward, privacy and data protection law will continually be outpaced by technological developments. To take a recent example, the Google Buzz social networking service that was launched in February 2010 has been at the centre of a torrent of criticism by users and privacy groups who claim that the new service has violated rights to privacy. Google Buzz was an attempt by the search giant to convert its Gmail service into a social network. A particularly controversial feature was that Gmail users were automatically signed up to Buzz and a ‘ready-made’ social network of ‘friends’ for them to follow was created using information from Gmail accounts of the contacts with whom they most frequently email and chat.

Following the ferocity of public reaction, Google has been forced to adapt many of the features of Buzz, including removing the automatic links between Buzz and content posted by users on other Google services (e.g., Picasa photo albums), making the option to opt-out of Buzz altogether more prominent in the email facility and adopting an ‘auto suggest’ rather than an ‘auto-follow model’. In April 2010, the Privacy Commissioner of Canada, Jennifer Stoddart, and the heads of the data protection authorities in France, Germany, Israel, Italy, Ireland, Netherlands, New Zealand, Spain and the United Kingdom sent a strongly-worded letter to the chief executive officer of Google Inc. to express their concerns about privacy issues related to Google Buzz.[37]. The authorities noted that:

“While your company addressed the most privacy-intrusive aspects of Google Buzz in the wake of this public protest and most recently (April 5, 2010) you asked all users to reconfirm their privacy settings, we remain extremely concerned about how a product with such significant privacy issues was launched in the first place.” And, in a statement seemingly directed at every company looking to launch innovative products in this space, the regulators warned, “It is unacceptable to roll out a product that unilaterally renders personal information public, with the intention of repairing problems later as they arise. Privacy cannot be sidelined in the rush to introduce new technologies to online audiences around the world.”

Whilst legal action by users who feel their rights have been infringed is inevitable (for example, a woman in Florida has already instructed lawyers regarding the misuse of her personal data), the problem for Google may spread far wider. In trying to make the “getting started experience as quick and easy as possible”[38] to compete with other social networking services, they have potentially alienated users and may now have a harder task convincing the millions of users on Facebook and Twitter to migrate to Buzz instead.

Another social media phenomenon is the exploitation of geo-location technology. Four Square is a location-based game which can be downloaded onto a user’s phone and which turns city maps into a game board. Users can “check-in” via their phones and this information is fed to Twitter, where the user’s location is made public. By “checking in,” the application is able to recommend places to go, things to do nearby and tips from other users for that location. Whilst this application clearly has its benefits, users appear undeterred by the implications of revealing their whereabouts, or, indeed, where they are not; this could pave the way for a new wave of privacy concerns.

Company Engagement in (or Avoidance of) Third-party Legal Disputes

Increasingly, information gathered by social media sites is at the center of legal controversies to which social media companies themselves are strangers.

  • Social media sites are routinely used for sting operations seeking out sexual predators.[39]
  • On the other hand, one criminal defendant in a forcible rape case tried to enter into evidence the victim’s Facebook status page. He claimed that this social media showed that the victim’s complained-of bruising resulted from heavy drinking on other occasions.[40]
  • A Canadian court allowed discovery of a Facebook profile in a motor vehicle accident suit, despite the document being subscriber-designated as limited access.[41]
  • If an employer terminates an employee for cause, recommendations that the employers had made regarding that employee on a site like LinkedIn may be evidence of pretext.[42]
  • Subscribers’ posts may violate their own company’s privacy policies, or even reveal their own company’s trade secrets.[43]
  • Subscribers may later regret their social media postings, but the evidence that those posts were made can be crucial and published if there is a public interest justification.[44] One MySpace subscriber posted an article heavily critical of her hometown. Six days later she removed it. But, in the meantime, it had been republished in her hometown newspaper, arousing the ire of her community to the extent her family had to close its business and move. The subscriber sued the paper who republished the article. The court held that the initial MySpace publication made any subsequent republication fair game, and non-actionable.[45]
  • Presenting perhaps even additional complications, courts in some countries, like New Zealand and Australia, have allowed official court process to be served over social medial sites.[46] The UK Courts are following New Zealand and Australia having recently allowed an injunction to be served on a defendant through Twitter for the first time.[47]

Both the social media enterprise and individual companies on social media can protect themselves. As stated above, each social media enterprise already has (or should have) a detailed suite of policies, reflected in the user agreement, to determine how the company fits in to the substance and process of third-party legal actions. Likewise, all companies should put policies in place governing employees’ actions on social media to avoid company vicarious liability.

Ultimately, subscribers should also take steps to protect themselves because regulators can do only so much to protect subscribers’ personal data and privacy.

Children

The popularity of social networking with young people makes the issue of data protection and privacy more acute. A central concern is that young people lack the awareness of the associated risks of these services and the potential for abuse when revealing personal data. Online risks for young users include illegal and age-inappropriate content, improper contact and conduct, including victimisation or grooming and potentially risky behaviors. Whilst the United States has laws and regulations to protect the privacy of children online, the FTC has announced plans to accelerate review of its regulations with an eye towards imposing more stringent standards.[48]

The impact of digital media on privacy issues for young people has been a key focus in both the UK and throughout Europe. In the UK, for example, the Information Commissioner has published numerous good practice notes for website operators whose sites are directed at children. The Home Office Task Force on Child Protection on the Internet has also published in 2008 good practice guidance for providers of social networking and other interactive services[49].

Whilst a focus of legislators has been to raise awareness amongst users of the risks associated with social networking (for example, through the annual EU “Safer Internet Day”), more recently there has been a focus on the contribution that service providers can make to security in the online environment. Following almost a year of discussions, in February 2009 the European Commission and major social networking companies, including Facebook, Bebo, and MySpace, agreed the “Safer Social Networking Principles for the EU[50]. These principles were aimed at giving young people extra protection from violations of their privacy and the potential abuse of their personal information. Key principles include: ensuring services are age-appropriate for the intended audience[51]; empowering users through tools and technology to manage the service[52]; providing easy-to-use mechanisms for users to report conduct or content that violates the Terms of Service of the provider; encouraging users to employ a safe approach to personal information and privacy; and assessing the means for reviewing illegal or prohibited content.

However, a year on, the review of the implementation of the principles published by the European Commission on 9 February 2010 suggests that whilst the principles have been a step forward in tackling online risks for young people, more still needs to be done. According to the Commission less than half of social networking companies make profiles of users aged under 18 visible only to friends by default, and only one-third replied to user reports requesting assistance.[53] Whilst currently the Commission is in favor of a multi-stakeholder collaboration with providers and adopting a ‘best practice approach’ to manage potential risks, if providers do not toe the line, the consequence may be regulatory intervention.

Protections To Deter Criminal Activity

Data security class action litigation usually focuses not on the (often judgment-proof) criminal wrongdoers themselves, but on the companies those wrongdoers happened to work for, with, or through. Moreover, governments around the world have drafted businesses into the war against identity theft. Hefty fines can result from a lack of due diligence.

The penalties for breaches of the Data Protection Act 1998 in the UK are currently under review.[54] The UK Government has proposed to put in place tougher sanctions to act as deterrents, for example, up to two years imprisonment and maximum fines of £500,000, the latter of which is expected to take effect in April 2010.[55] The UK, as well as other European countries, is taking data protection law seriously, and service providers should bear this in mind.

In social media enterprises, an even greater risk than identity theft or financial fraud exists. Users of social media have been exposed to emotional abuse[56] and have been sexually assaulted,[57] among other crimes. Attempts have been made to hold the social media enterprises themselves liable for not doing more to stop these abuses. Whilst legal actions have generally not resulted in recovery against social media enterprises, the attendant bad publicity and subscriber concern carry a cost of their own.

Where there is a pre-existing protective order in place, even the simple act of making a friend request via a social media service can rise to the level of criminal contempt.[58] And, especially where the social media environment involves the creation or accumulation of some artificial currency, subscribers can also abuse the system to achieve property crimes or tax evasion.[59]

Precautions to detect likely criminal activity, to the extent practicable, and having social media employment agreements to establish company expectations, are essential for any business’s self-preservation. Typically, companies can take actions such as routine audits and establishing human resources notification policies for crimes involving employees in the workplace. Social media employment agreements are now essential for individuals doing work for your business. We recommend evaluating all of the types of individuals employed by your company and developing a social media agreement that will fit for: employees, contractors, hired talent (representing the company in an endorsement/marketing context), and outsourcing contracts, where applicable. (See Chapter 6 – Employment.)

Addressing Traditional Data Security Concerns

Every social media enterprise needs a comprehensive written information security program. The very open architecture that allows social media enterprises to thrive also allows information security threats to multiply. For example, the Twitter worm, “StalkDailey,” “can gain access to unsuspecting Twitter users by masquerading as the family, friends, and co-workers of the user.”[60] In fact, 19 percent of all hacking attacks were directed at social media enterprises in the first half of 2009, “ranging from simple defacement of sites, placing malware on them or using them to spread smear campaigns.”[61] Social media enterprises need to enlist not just their employees, but also their subscribers, in rapid response to developing privacy threats based on well-understood policies and procedures. Failing to do so may result in dilution of a brand’s value as regulators and consumers react to lapses in security.

A written policy is necessary, but not sufficient to ensure compliance. A written policy without implementation and adherence is a dead letter. Plain language review, easy-to-follow training materials, employee testing, vendor auditing, security breach drills, and the like are indispensible to making sure policy is part of day-to-day procedure.

At the same time, outreach to subscribers to let them know what to expect (and not expect) from the company will help subscribers defend themselves from spoofers, phishers, and similar would-be attackers.

Also, like every company, social media companies should have plans for: the protection and secure disposal of personal data (including in hard copy); the implementation of major litigation holds; and response to the loss or theft of personal data (including, where required or appropriate, through notice to data subjects).

Is the Company Properly Insured against Data Privacy Incidents?

The last risk you need to plan for is the risk that all other mitigation will, ultimately, not be sufficient. As noted above, no system is perfect. Data privacy and security lawsuits can cost millions or tens of millions of dollars to resolve. The right level of coverage, either under general policies or specific endorsements, is something that every company needs to determine on an ongoing basis.

Bottom Line—What You Need to Do

Understand the sensitive nature of information that flows through social media. Recognise the serious compliance and litigation risks that the collection and distribution of such information entails. Consider contractual tools to mitigate these risks, including properly drafted privacy policies and terms of use. Know your obligations under all applicable data privacy and security laws, and have a nuts-and-bolts plan to meet those obligations. Stay ahead of developments in data and privacy security law, so that, to the extent possible, the compliance program put in motion today will be deemed adequate even under the standards of tomorrow. Lastly, know your coverage position with respect to data privacy and security incidents, and properly adjust that coverage in light of known and suspected risks.



[1]      “Press Room,” available at: http://www.facebook.com/press/info.php?statistics.

[2]      Callan Green, “Killer Facebook Fan Pages: 5 Inspiring Case Studies,” Mashable.com (June 16, 2009) available at: http://mashable.com/2009/06/16/killer-facebook-fan-pages/.

[3]      Lisa Wehr,”Jet Blue & Taco Bell: Lessons in Crisis Marketing,” iMediaConnection.com (April 19, 2007), available at: http://www.imediaconnection.com/content/14452.imc.

[4]      “The Commerce Department is playing catchup,” Washington Internet Daily (Apr. 22, 2010).

[5]      John Lister, “Most Departing Employees Steal Company Data,” Tech.Blorge (Feb. 23, 2009) available at: http://tech.blorge.com/Structure:%20/2009/02/23/most-departing-employees-steal-company-data/ (stating almost six in 10 people who left a job in the United States in 2008 took confidential data with them, according to a survey by data protection firm Ponemon), and “Many Users Say They’d Sell Company Data for the Right Price,” by Tim Wilson, DarkReading (Apr. 24, 2009) available at: http://www.darkreading.com/insiderthreat/security/client/showArticle.jhtml?articleID=217100330 (stating 37 percent of workers would sell data for $1.5 million, according to a survey of commuters in London’s railway stations by InfoSecurity Europe).

[6]      For example, the Gramm-Leach-Bliley Act requires certain types of companies (financial institutions, insurance companies and brokerage companies) to maintain privacy policies.

[7]      Some common privacy-oriented consumer monitoring groups are: the Electronic Privacy Information Center, Privacy Rights Clearinghouse, World Privacy Forum and the Electronic Frontier Foundation, amongst others.

[8]      See, Facebook’s New Terms of Service: “We Can Do Anything We Want With Your Content. Forever.” by Chris Walters, the Consumerist (Feb. 15, 2009) available at: http://consumerist.com/5150175/facebooks-new-terms-of-service-we-can-do-anything-we-want-with-your-content-forever.

[9]      See, Caroline McCarthy, “MoveOn.org takes on Facebook’s ‘Beacon’ Ads,” CNET (Nov. 20, 2009), available at: http://news.cnet.com/8301-13577_3-9821170-36.html.

[10]    See, Louise Story and Brad Stone, “Facebook Retreats on Online Tracking,” New York Times (Nov. 30, 2007), available at: http://www.nytimes.com/2007/11/30/technology/30face.html

[11]    Sam Diaz,”Beacon Settlement Gets Preliminary Ok,” CNET (Oct. 24, 2009), available at http://news.cnet.com/8301-1023_3-10382634-93.html.

[13]    Id.

[14]    “Expansion triggers political backlash,” Chicago Tribune, p. 27 (April 29, 2010).

[18]    Tweets are text-based posts of up to 140 characters displayed on the author’s profile page and delivered to the author’s subscribers, who are known as followers.

[19]    The retweet (or “RT” in front of the Twitter line) allows Twitter users to share the best links, tweets, and gems they find from others using the service. These messages can be positive or negative in nature.

[20]    For “retweets,” the company would need to seek removal of the information under Twitter’s user agreement, which is available at http://help.twitter.com/forums/26257/entries/18311.

[21]    YouTube Website, Privacy Issues: Privacy Complaints for Other People, available at: http://www.google.com/support/youtube/bin/answer.py?answer=84753 (“In order to process privacy claims, we must receive notification directly from the individual in the video…. Any attempt to report a privacy violation for someone other than yourself will not be investigated.”)

[22]    Facebook Statement of Rights and Responsibilities, available at: http://www.facebook.com/terms.php?ref=pf (last visited, Oct. 27, 2009).

[23]    Id. at § 5.8.

[24]    MySpace.com Terms of Use Agreement, last updated June 25, 2009, available at: http://www.myspace.com/index.cfm?fuseaction=misc.terms

[25]    Id. at §§ 8.6, 8.16.

[27] “Facebook Won’t Face Off with Canada’s Privacy Commissioner,” 27 No. 9 Andrews Computer & Internet Litig. Rep. 11 (Sept. 30, 2009).

[28]    http://ec.europa.eu/justice_home/fsj/privacy/workinggroup/wpdocs/2009_en.htm

[29]    Opinion 5/2009 on online social networking, p. 6.

[30]    Directive 95/46/EC of the European Parliament and of the Council of 24 October 1995 on the protection of individuals with regard to the processing of personal data and on the free movement of such data implemented in the UK by the Data Protection Act 1998.

[31]    Directive 2002/58/EC of the European Parliament and of the Council of 12 July 2002 concerning the processing of personal data and the protection of privacy in the electronic communications sector (Directive on privacy and electronic communications) implemented in the UK by the Privacy and Electronic Communications (EC Directive) Regulations 2003 (SI 2003/2426).

[33]    “Making privacy notices meaningful” The Reporter (Calleja Consulting) July 2009.

[34]    Portions of this chapter first appeared in, and are reprinted with permission of, the Privacy & Security Law Journal.

[35]    “Facebook Shuts Down Beacon to Settle Class-Action Lawsuit,” 27 No. 9 Andrews Computer & Internet Litig. Rep. 8 (Sept. 30, 2009), citing Lane, et al. v. Facebook Inc., et al., No. 08-CV-03845-RS (N.D. Cal.).

[39]    “Concerned mother sets up MySpace sting operation,” 5 No. 7 Quinlan, Computer Crime and Technology in Law Enforcement art. 2 (July 2009).

[40]    “Impeachment by Facebook Status Update?” 14 No. 9 Cyberspace Law. 23 (2009), citing to State v. Corwin, 2009 WL 2562667 (Mo. App. August 20, 2009) (upholding convicting despite allegation that exclusion of Facebook status page was error).

[41]    Tariq Remtulla, “Facebook Not So Private? Ontario Court Finds Facebook Profile Discoverable,” 14 No. 4 Cyberspace Law. 17 (May 2009).

[42]    Margaret DiBianca, “Warnings Against LinkedIn Recommendations: Justified or Propaganda?” 14 No. 9 Del. Emp. L. Letter 2 (Sept. 2009).

[43]    See Harry Haydon The Sun dated 05 Jul 2009, available at http://www.thesun.co.uk/sol/homepage/news/2517719/MI6-spy-chief-has-cover-blown-on-Facebook-by-wife.html.; Allegra Lawrence-Hardy, Esq., and Jessica Sawyer Wang, Esq., “Are Your Company’s Secrets Threatened By Your Employee’s MySpace Page?” 28 No. 14 Andrews Automotive Litig. Rep. 7 (Jan. 6, 2009).

[44]    http://www.pcc.org.uk/news/index.html?article=NjA4MQ== ; “PCC Code – police comments sourced from private profiles on social networking sites” The Reporter (Calleja Consulting) December 2009

[45]    “Submission of MySpace Internet Entry to Newspaper for Publication Does Not Constitute Actionable Invasion of Privacy,” 30 No. 6 Cal. Tort Rep. 14 (June 2009).

[46]    “Facebook: The Future of Service of Process?” 25 No. 8 Andrews Pharmaceutical Litig. Rep. 11 (Sept. 21, 2009).

[47]    “Service via Twitter – the UK courts embrace technology” The Reporter (Calleja Consulting) November 2009

[48]    “FTC Tells Congress It Is Reviewing Whether Technology Changes Call for Revisions to the Agency's Rule Protecting Kids' Online Privacy,” FTC website, http://www.ftc.gov/opa/2010/04/coppa1.shtm (April 29. 2010).

[49]    http://police.homeoffice.gov.uk/publications/operational-policing/social-networking-guidance/?view=Binary The task force’s good practice has now been integrated in to the work of the UK Council for Child Internet Safety.

[51]    Whilst this may be based on a range of factors, there is an implication in the notes to the principles that a minimum age of 13 could be imposed in line with the U.S. approach and the Children’s Online Privacy Protection Act which in the UK only allows providers to collect data without parental consent from users over 13 years old. Suggested measures to ensure age-appropriateness could include providing means for content providers, partners or users to label, rate or age restrict content when appropriate, using for example the Broadband Stakeholder Group’s good practice principles on audiovisual content information.

[52]    For example, taking steps to ensure that private profiles of users registered as under 18 are not searchable.

[54]    “Data protection offences – custodial sanctions” The Reporter (Calleja Consulting) November 2009; “Serious data protection breaches – civil monetary penalties” The Reporter (Calleja Consulting) December 2009.

[55]    See sections 4, 55, 55A and 55B of the Data Protection Act 1998 (as amended).

[56]    “Feds Appeal Dismissal in MySpace Suicide Case,” 27 No. 10 Andrews Computer & Internet Litig. Rep. 8 (Oct. 14, 2009), citing to United States v. Drew, No. 08-CR-00582-UA, 2009 WL 2872855 (C.D. Cal. Aug. 28, 2009).

[57]    “MySpace is Not Liable for Members’ Sexual Assaults,” 13 No. 7 Andrews Telecomm. Indus. Litig. Rep. 9 (Aug. 19, 2009), citing to Doe, et al. v. MySpace Inc., No. B205643, 2009 WL 1862779 (Cal. Ct. App., 2d Dist., Div. 8 June 30, 2009).

[58]    “MySpace Protective Order Violations,” 14 No. 4 Quinlan, National Bulletin on Domestic Violence Prevention art. 6 (Apr. 2008).

[59]    “Second Life Currency Open to Theft,” 10 No. 1 E-Commerce L. Rep. 12 (Jan. 2008).

[60]    Nancy McKenna, “Worming its way through Twitter,” 5 No. 6 Quinlan, Computer Crime and Technology in Law Enforcement art. 5 (June 2009).

[61]    “Report cites jump in Facebook,Twitter attacks,” (Aug. 18, 2009), Triangle Bus. J. (Pg. Unavail. Online), 2009 WLNR 16076587.